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Joey DeFrancesco - Concepts For Improvisation

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Joey DeFrancesco - Concepts For Improvisation



95 pages, Item number 1630035ED
Regular Price: $30.95, Our Price: $24.76
You will save $6.19

Joey DeFrancesco officially emerged on the jazz scene in 1989 with the release of his first album. Not only was this the introduction of a major new jazz talent (at seventeen years old) but it also resurrected the Hammond B-3 organ as a viable jazz medium.
 
Joey DeFrancesco's "Concepts for Improvisation" encompasses blues and bebop lines and progressions. Included are many music examples for practice and study. Examples and lines are in all twelve keys and Joey plays the examples in different tempos on the accompanying CD, with and without the right hand. In addition, there are two transcriptions of his compositions and improvisations with harmonic analysis.

Product Format: Instruction Book

Publisher: This piece was published by Hal Leonard Corporation.

   This product has been chosen as a Director's Choice by our staff of instructors.
   This product has a difficulty rating of 4 on a scale of 1 through 6, with 6 being hardest.
   A CD is included with this book.
   Chord symbols are included in this book.
How to purchase this item: To purchase "Joey DeFrancesco - Concepts For Improvisation", just click on the "Click to Buy!" button above. You will then have the option of placing your order online or ordering by mail or fax.

Return Policy: This product may be returned, unopened, within 30 days of purchase for a full refund, excluding shipping charges.
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 (300kb)
Back Cover
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Example Pages
Example Page 1
 (97kb)
Example Page 2
 (108kb)
Table of Contents Page 1
 (54kb)
Table of Contents Page 2
 (58kb)


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Joey DeFrancesco - Concepts For Improvisation

Complete song list for "Joey DeFrancesco - Concepts For Improvisation" - Sheet Music Songbook:

Big Bad Jim - Composer: Joey DeFrancesco - ©1991
Lights, Camera, Action - Composer: Joey DeFrancesco - ©1989


 
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95 pages, Item number 1700890ED
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Traditionally, keyboard players have played two different roles in the making of jazz--first, as members of the rhythm section, and second, as solo performers. In recent years, with advances in electronic keyboard development and decreases in music performance and recording budgets, the keyboardist is more often required to play multiple roles. Electronic keyboards have now made the dual role of pianist and bassist more prevalent. Playing left hand bass while playing chords and/or melodies in the right hand presents some problems to the average keyboardist, however. In essence, he or she must play two different instrumental roles at the same time.
 
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